With the use of a stylistic narrative in the form of courtroom sketch, the watercolor series places in evidence through the manner of self-portraiture, the systemic network of faceless and nameless contemporary judgements: social media as a condemnatory mass, the globalization of culture, double standards.

A modo de courtroom sketch, la serie de acuarelas aborda a modo de autorretrato el sistema del juicio contemporáneo sin rostros ni nombres: la cultura globalizada, las redes sociales como masa condenatoria y exhibitiva, los dobles roles.